#50 - MED - Permutations of the Wonder Witch
Hello once again, yet again. This is JLL with Gnostic Intel on the Internet. It's the 6th of June, 2017, and I'm here with installment number 47 in Mandala Effect Decoded.
And I'm calling it, rather grandiosely, “Warrior in the Womb of the Virgin”. Of course, that title re-introduces the theme of the warrior, which I brought up in the previous installment, number 46.
I have to say that I haven't been entirely comfortable with introducing that theme, but now that it’s here, I’ll see if I can handle it properly. Also I’m not entirely comfortable or I was not entirely comfortable with going into the realm of crop circles, which in my mind carried the risk of taking this investigation somewhat off track. It certainly took us off message. After all, the Kurn-abbas crop circle, remarkable as it may be in its form and in its timing, May 22nd, is nevertheless not a Mandela effect, is it?
So I felt not entirely confident about that excursion in the previous talk, and I'm happy to have left the scene of crop circles behind. I think that it's a crime scene that is very contaminated, and the informants and witnesses in the scene are, to my mind, problematical. I do not trust anyone, anyone in the crop circle scene.
So I'm happy to have looked at that particular correlate to this investigation, and I want to send out a thanks to Barbara H. for cuing me to that particular event. Also, a lot of thanks to Karidwen, my loyal assistant, for walking me through the minefield of the crop circle phenomenon. And also, thanks to her for providing the occasion to bring up the notion of the Epinoia Nexus.
The Epinoia Nexus, as I intend to show, is a crucial factor in preparing yourself for the super-learning event. So, that's a really key ingredient in this investigation, which has now fallen into place. I suppose the last thing that I could say about the crop circle excursion is this. Until I revisited it over the last 48 hours, I was not aware of the narrative of the circle makers, nor was I aware of the proof that they construct these circles using mechanical means of planks and measuring lines.
Now that I have taken that evidence on board, I do find it worthy of consideration that the circle makers report synchronistic phenomena. They report some kind of interactivity between the land where they construct these circles and their own minds and imaginations.
So there are psychic phenomena and paranormal phenomena that arise in the process of what they do. I had not known about this until as I say 48 hours ago. So my conclusion is well, okay fine. They're out there on the land and they're doing something that would might be equivalent to tattoos to making tattoos on the ground on the skin of the mother animal.
So I accept that the mother animal may in some way respond. She may be in some respect excited or at least enticed by this activity of circle making. I do not maintain that crop circles are messages coming from Gaia. Absolutely not, and I have never maintained that.
But the addition of this witness testimony from the circle makers is an interesting factor, and I take that on board as a lesson learned. Moving on to the second subject, which I consider to be somewhat tricky, that is, of course, the mythophrenic fugue associated with Thelete, the warrior, Wotan, Indra, the Kurn-Abbas, giant, and so forth.
The introduction and the appearance, the emergence of this figure, whom I am calling the talisman is crucial to the remaining development of this investigation. Like it or not, the human species is at war with the enemies of life and there is a war on for the human mind, there is a war on for the direction of humanity and for the future of children on this planet.
And so, correction of the Aeon Sophia requires warriors to face its historical aspect, to face the challenge of its historical aspect. Remember, correction has two aspects, the supernatural, which is manifesting initially through the Mandela effect, and the historical or existential aspect, which requires human commitment and human engagement at the level of the social order. It may even require a life or death engagement.
I'm not entirely happy with the term moral power violence. It's a bit redundant because violence is power. Violence is nothing but a particular application of power. I, upon reflection, I would say that the expression, the moral imperative of violence might be more useful and more instructive in this context.
Anyway, nobody's perfect except your cat, right? And my cat, my cats. So on we go, and I will proceed now into the new material. I decided to go directly back to specific instances of the Mandela Effect in this installment number 47. So let's take a look at what has come up.
You'll see on the tracking page that I've highlighted an effect concerning the name of a franchise called Men's Warehouse. There are a number of quite revealing and entertaining features in this Mandel effect. First of all, bear in mind that it involves a homophone. That is to say, two that are spelled differently but pronounced the same are homophones. So where, W-A-R-E, and where, W-E-A-R, are homophones.
Now I have not lived in the United States during the time that this business appeared, or at least it didn't appear in the areas where I lived, so I don't really have a memory of which version is the occluded version and which version is the current or occluding version. But anyway, I'd like to point out that in this representation of Men's Warehouse in the logo, in the icon, what you see front and center is quite a vivid and classy representation of the doubling of the letter V.
Now, VV, as you certainly know by now, is a thing in planetary Tantra. It's the initials of Vajra-Vilasi, which is a Sanskrit name for invoking the Aeonic Mother of Sophia. And that name has been around since October of 2008, 10th of October to be exact, when I discovered it.
Take note that the Aeonic Mother, the Wisdom Goddess, didn't tell me that that is her name. She didn't tell me that I should call her by that name. I discovered it through the telestic practice of shamanism, which is exactly the same practice used in the ancient Pagan mysteries. I released that name on the internet January 2009 so it's been six years now, and many, many people know that name, and many people are familiar with the abbreviation VV, and they use it commonly. In planetary Tantra, you use this reference, VV, frequently and routinely.
What I find remarkable is the frequency of Vs and double Vs all through the Mandela effect. Now wisdom, the word wisdom in English, which is a translation of the Greek word Sophia, itself begins with a double V. The braid motif of Wendy's icon is in a way a trope of the double V and Wendy begins with a double V.
In other words, the braids are the two parts of the V, the two legs of the double V that point upward. Those are her braids. If you turn the double V, commonly called the W, upside down, if you invert it, then it becomes an M. And you can see that the two legs hanging down are like the braids of Wendy, with her face in the middle and her face is in a V. I mean, what is all this playing around with V and with the inversion of M into V?
Well, it's very clear from the logo for Men's Warehouse, no matter how you spell it, that the initials VV are being broadcast front and center.
So, this might seem to be a seemingly trivial instance of the Mandela effect. One would have to ask, well, is there anything encoded in this? So let's take a deeper look here. And as we do so, let's have a little fun and run up a number of points. Let's operate on a point system. Let's just rack up the points one by one that can be detected as significant evidence of the Mandela Effect. Okay.
VV broadcast in the logo, that's one point, very strong point, because it shows how in some instances the Mandela Effect signals you to the origin of the effect. The letter M, when you toggle it, and I’ll get back to the toggling of M, when you invert it, turn it upside down, or tumble it, becomes two V's, so that's point two.
So the M and the double V are mirror images of each other. Just imagine, for instance, that you took the M in the logo of this business and you tumbled it, made a mirror image of it below it, another M, but it was upside down, that other M upside down would say, would be two V's. So there's a mirroring effect in the M's and the V's. That's point number three.
Remember that Gnostic Intel informs you that the Aeon Sophia uses the power of the third, the mirroring attention, in order to break into the realm of the second attention, causing a bifurcation of human memory and additionally, she breaks through the membrane between the second and the first attention, directly into the realm of the first attention. That is the attention that allows you to function in a linear fashion and notice what goes on in the course of a day. That is the attention that allows you to stop at a stoplight and then proceed when the stoplight changes.
She breaks through, after splitting memory into two beams, this is the split beam experiment, she breaks right through into your present mundane field of attention, and to top it all off, she hacks into the internet and plays around with spelling, iconography, and dialogue.
So the third point in this tally is the clear evidence of references to mirroring and the third or mirroring attention. Pretty wild, huh? Pretty outrageous. Well, the wisdom goddess is nothing if not outrageous. In fact, that's one of her names, Prunikos, means audacious, impulsive, impetuous, outrageous. I'd also like to point out, by the way, something that I may not have mentioned before. Yeah, I'm pretty sure I didn't.
There are hundreds of names for the goddess of the earth, the Aeonic Mother, Mother Nature, the World Mother, the Aeon Sophia, the Wisdom Goddess, and there are hundreds of names from other cultures and lands around the world. But there is something totally unique about the name Vajra Vilasi.
What I determined on the basis of Gnostic intel in the fall of 2008, after I received the terma of Gaia awakening, was that of all the hundreds of names for the mother goddess the planetary animal mother, there was in reality, just one that she would respond to. I'd like to ask you to take a moment and consider that proposition.
Suppose, for example, that you had a horse that you loved. Now, you might give that horse a number of names. Like, I have a horse that I love that lives in the farmlands of Flanders, and I call her Blaze. She's an extremely powerful, two- or three-year-old Flemish workhorse. Blaze is one of the names I give her. Right now, currently, it's the only name I have for her, but it wouldn't be unusual for me to call her by several different names. Those are the habits of endearment, aren't they?
Anyone you know, your child, your lover, your parents, you call them by different names as expressions of endearment. The reason why the Aeon Sophia has many, many names is because she is completely endearing and should well be completely endearing to the human species because she is our cosmic mother.
But suppose that you had a horse and you had, say, six or seven different names that you called it, but something odd occurred with that horse. Namely, it only responded to one of those names. Well that is the case, such as I discovered, along the lines of Gnostic practice. Hence the initials VV are part of the terms of endearment that can be used to communicate with the planetary animal mother, but they are a special and unique case, because if you call to her and address her with those initials and with that name, then she will respond directly.
There is also currently a second name, or more properly, a title to which she will respond. So V.V. and the name Vajra-Vilasi are powerful tools of invocation in planetary tantra. And it certainly would be no accident then that the VV would appear in multiple instances of the Mandela effect.
Anyway back to the question of this one particular instance “Men's Warehouse”. Is it coded in some way? Well, it's clearly a homophone. Because ware sounds like wear, but let's look more closely at the components of those two words and see if there's anything in it. Remember we have a tally of three points now for this Mandela effect.
Well, W-E-A-R breaks down into the double V and ear, and ear refers orthographically to ear. When you see W-E-A-R, you see ear, which is related to hear, so it has a cueing to hearing, so it cues to hearing and the word ear is contained in the word hearing and in the word wear spelt in that way. You wear your ears in order to hear with your ears. You have to listen closely to catch homophones and detect phonemes as they capture your NLP.
This particular factor or component in this instance of the Mandela effect may also refer to tinnitus, which is frequently associated with the Mandela effect. Okay, that's fourth point. Now look at the other word, the W-A-R-E. Well, A-R-E refers to Arate, and Arate is the Aryan ideal of excellence, which is a major theme in planetary Tantra and the Kalika war party. So there is a reference via Arate to the warrior motif, which is developing, as I said, in the form of a thundercloud or thunder anvil in the sky.
That brings us to five ticks. This is tallying up quite nicely. W-A-R-E is a component phoneme of beware. And I have suggested that beware, not be aware, not awakening, not there's a planetary awakening, you know. No, beware is the watchword of correction. Beware of the enemies of life. That's the watchword of correction. Okay.
Now we come to six. Wear refers to clothing, apparel, garments. The natural world is the garment Sophia wears over her dream body. Next point. In lucid dreaming, you are aware that you are dreaming. So, in that sense, the word aware applies. The awakening of Gaia finds its realization in the human animal who is aware of living in her dream.
Next point, we're up to eight ticks now. Eight ticks on this one particular instance. Ware also refers to merchandise, the other ware, W-A-R-E, wears things to trade and sell. Well, what's one of the problems that needs to be corrected on this planet?
Well, the material garment of the goddess is regarded as such, as wares, as merchandise, as material to be bought and sold, and that needs to be corrected. This illusion may also link to the 666 theme of Revelation and to the mark of the beast. We're up to nine points now.
The letter M is composed of two V's upside down, I already mentioned that. And finally you can say the tenth point is that violence is a man's issue. It's in the warehouse of men's issues. It's in the repository of men's issues, violence.
It's a big item in man's or men's warehouse. Heroic defense of the earth is a challenge in Sophia's correction. And the question is, of course, the question I've been asking for years now, where is the masculine warrior component to Sophia?
In the recent talk, we took a very big step together in identifying that male warrior component through the allusion of the Kurn-Abbas giant to the giant planet, Jupiter, and to Thelete. It remains to be seen how that theme will unfold and actually be illustrated, illustrated by evidence, that is to say specifically the evidence of particular Mandela effects.
I’ve noted, I’ve leaked the news, as it were, that there is a third super-cluster in the making, and so it remains to be seen how that super-cluster will constellate. I'm not saying that it will constellate around the talisman. Please bear that crucial nuance in mind. I'm saying that it will constellate around the vampire, but at the same time the talisman and the mythophrenic fugue associated with the warrior theme will play into it. Why?
Well, quite simply, because if you take the vampire as the ultimate transgressor against humanity, the blood-drinking parasite, then there must be a hero, there must be a warrior capable of defeating that agency of ultimate evil. So, leave a space in your imagination, leave the NLP channels open for the emergence of this third super-cluster.
Meanwhile, we're looking at other pieces on the table. Some of them may appear to be quite trivial. For instance, is it Sherwin Williams paint or Sherman Williams paint? Okay. I remember Sherwin Williams paint and I did a lot of painting back in those days because I used to paint houses. I used to buy buckets of that stuff in L.A. and Santa Fe. So, what's the big deal? This seems like another brand name, another exclusively American pop culture item in the Mandela Effect. Where does that get you?
Well, notice that the difference between the two names, Sherwin and Sherman, involves the flipping or tumbling of the M into a double V. Also, there is a subliminal cue in the phoneme sher which is cognate with the word to shear.
Well, shearing, as you know, is a fundamental theme of the fallen goddess scenario, isn't it? If you were to list, say, ten words, ten key words that occur in the sacred narrative of the Aeon Sophia, it would include the word shear, wouldn't it?
The sacred narrative tells you that the Aeon Sophia sheared the Anthropic template, taking the female component of the template of the human genome into her own substance, the consequence being that when she morphed into the earth, the first humans to appear on the earth were exclusively female. This is something that is so wonderful when you really, really get it, that it's almost uplifting to know this, and to know that it can be proven and verified. It's not something to accept on belief.
So, allusion to the shearing of the Anthropic template is contained here, or suggested, in the name Sherman Shearman, because she sheared off the man part which is left in the Orion nebula and took the female part with her. But Sherwin, likewise, implies the solution to that problem that she created. It implies the restoration of the gender binary.
So, win, of course, is the same phoneme as Winona, winning nines, so sure win implies victory. Victory! Can you imagine? Victory over feminism. Victory over the negative effects of the general rift. The peaceful conclusion of the battle of the sexes, the absolute defeat of feminism as a Marxist tactic to divide society and destroy the gender binary.
Now, I wasn't keeping a tally on that one, but I would say there's five or six points of verification in that seemingly trivial Mandela effect. Whenever you think of the restoration of harmony between the sexes and the re-validation or re-valor-ization of the gender binary, don't forget that it's all in the family. Those were the days, and you knew who you were then. Girls were girls and men were men. And may it be that way again.
It's all in the family of the Anthropos. By the way, I just point out, interestingly, a little footnote that Gilad Atman, who happens to be a Marxist, so be very careful, a Marxist intellectual, was promoting his new book recently and in doing so he spoke at some length about Norman Lear, the Jewish writer who created Archie Bunker, and he explained why that character was created and what a tremendous effect Archie Bunker had at that time, that would have been in the 70s in the United States of America, and I suppose “All in the Family” had probably been exported around the world as many American TV series and sitcoms used to be.
There's also a biotropic factor in this Mandela effect, but I won't go into that. You can just read it on the tracking page if you so desire. So moving ahead, finally, I have to note, with considerable reticence, and I ain't kidding about that, folks. That the Mandela effects, some of them, at times appear to reflect things that I say in the course of this investigation. Have you noticed that?
For instance, the motto of Sherman or Sherwin-Williams paints is cover the world. In other words, cover the world with paint or paint the world. Expressed in that way it sounds like a rather gruesome idea, but taken as a metaphor, where does it lead to?
Well, do you recall that I described the condition of the Aeon Sophia in material imminence by comparison to painting natural processes and events as they happen. Remember that? Now, material imminence, that delicious expression, refers to the real-time presence and activity of the star goddess in every aspect, action and feature of the natural world. So, waves on the beach do not automatically come up to the shoreline because because of some natural process that was set in motion at some time in the past.
The world mother paints each wave in real time as it rolls in. She paints the flight of the gulls across the sky when they turn on their wings. It is her brush giving that look to their flight. You follow me? I use that exact analogy or metaphor, if you wish, to express material imminence, the act of painting.
Sophia paints the natural world as it happens. It is not a painting that dries and remains there, a finished canvas, a finished object to contemplate. Nature is a living painting in action, and she is the painter. In order to experience what I'm saying here, you have to be in a non-ordinary state of ecstatic trance.
In that state, you have to be steady, standing up, and keep your eyes open. You also have to be able to absorb and sustain the impact of what you're seeing. And that is not easy. That is the main factor that prevents many people in shamanic sessions, in shamanic approaches to the living earth from actually reaching the level of illumined perception that I just described.
I'm actually working on a piece right now called “Autistic Children of the World Mother” which I'm going to post on metahistory.org soon and in that I go, in that essay, I go more deeply into this question. Namely, why is it difficult for the human animal to withstand the impact of her imminent presence? Anyway, I digress. So now let's return to the themes we're considering and the Mandela effects which illustrate those themes.
Let's go straight back to the Thelete, warrior, Jupiter, fugue. Now, how about this? The Star Wars dialogue is probably one of the top ten, certainly one of the top ten Mandela effects. Luke, I am your father, is the occluded memory. Well Luke, Luke is what? Well it’s the male equivalent to Lucy? And it means radiant. And in the context of the Lucy, Lucille Ball super-cluster, I love Lucy, it refers to the luminosity of the planet Earth, the organic light. But hold on a second.
Thelete is not the father of Sophia. He is the consort and male counterpart of Sophia. So there has to be a change in the dialogue, and this is the change. No, it's not that way. I am your father. Now notice how I said that. Well I added a little parenthetical remark. Let me just say it again. No, I am your father.
Notice how I say that. I don't say, No, I am your father. Because that's not correct either. This is a self-correcting effect. Thelete is your father. You get it? The celestial male parent of the human species, the accent is on your and not on I. The accent, you're going to love this, is not on I, I am your father, because the fatherhood from the pleromic Aeons is trans-personal and there's no I in it. There's no I-self in it. It transcends everything that the human animal can conceive at the level of ego identity.
It's not I am your father. It's I am your father. This is a staggering Mandela effect. But until now, who has been able to tell you why it is so? Who can show you why it is so and how it works? I insist that you take me very seriously. I fucking insist that you determine yourself to know that you cannot follow the meaning of the Mandela effects unless you participate in them, unless you participate in the event of correction of which those effects are evidence, clues and symptoms.
This line of dialogue from a cheesy, cheesy good versus evil science fiction movie, also by Spielberg, whom, as you know, figures as the main cinematic culprit in the Mandela effects, this line corrects itself in your mind in order to direct your attention to the male consort of Sophia, who is your father trans-personally, the father of the species to which you belong, not your father as an individual human animal. I rest my case. How can it get to be this good? Did you see how entertaining, delightful, mischievous and profound this phenomenon is?
But you must be interactive with it. You must get involved and you must exercise not only your probative faculty, but your mantic skills, your mythophrenic talents. I'm teaching you how to exercise them. I'm showing you how to claim them. I'm challenging you and driving you to claim them. And I'll teach you how to use them. And I'll leave you with that. And it will never, ever fail you. Ever, I promise.
Once you learn this method right, it will never fail you. It has never failed me. And how do you think I got to do what I'm doing now? Has it crossed your mind? I mean, have you considered what kind of power it takes in the realm of the command of the syntax of consciousness at the human and trans-human level in order to do what I do and say what I say? How did I get to that stage? The same way that you get there. That's the short answer, and it's really the long answer too.
All right then, moving on to the home stretch of this talk. I'm not going to cover word-for-word the material that's contained in the tracking page, but I do ask you to read through it and do your homework, if you would enjoy to do so.
In the remaining material I point out that I first detected that the Aeon Sophia might be using popular media to signal to the human mind when I saw the poster for this indie film, “The Witch”, and I saw that the W was spelled with two separate Vs, and it's a pun. It spells witch, but it also spells the VV itch. So this is like a real wake-up call for me.
And the font, in being separated into two parts in that way, was a signal that I could not avoid. So, in August of 2015, when this image showed up on my computer screen, the mantic meter, in my mind, just went totally off the chart. You see?
And it wasn't until August of 2016, well, I discovered the Mandela effect about a year later, in June of 2016, and then in August I was able to state openly, the Aeonic mother has agency, and I saw that the Mandela effect, the mother hack into the Archontic medium of the internet was undeniable proof of that fact. For what it's worth, by the way, there was a huge surge of searches for the Mandela effect in August of 2016, the moment when Sophia achieved that agency. Tak.
So now in rounding off this talk, I'd like to refer to the phenomenon of counter-mimicry. This is a topic I discussed in Not in His Image, and it's a word that comes directly from the Nag Hammadi Gnostic writings. Anti-mimon, you find the word anti-mimon, a Greek word, in those writings.
Once you are on to the wisdom goddess, once you are engaged in the sacred narrative, the story of Sophia, her biography, her cosmic biography, then you are able to detect what comes up in the outer world as a counter mimicry or an attempt to imitate and to replace it. The revelation of Gnosis is eternal and perpetual.
The revelation of the inherent, enlightened dynamic of self-liberating awareness of your own mind is perpetual and cannot be suppressed or deviated. But the mind itself can produce what appears to be deviation from its own nature. The Tibetans call this krupa, which is straying away, going astray. And the manifestation of the mind going astray from itself in the outer world is the action of counter-mimicry.
That is why, or that is not why, that is the dynamic that produces fraud. It produces counterfeit money in the place of real money. But as the old saying goes, counterfeit money wouldn't exist if real money didn't exist in the first place, right?
Counter-mimicry is an action of the Archontic mindset within the human mind, but it is not merely implemented by the Archons in some paranormal fashion. It is primarily carried out by the human proxies of the Archons. And what they attempt to do over and over again is to hijack and deviate the natural intelligence of the human animal as it strives to achieve the genius level it was designed to express.
You were designed to express your intelligence at the genius level. It doesn't matter if your IQ is 96 or 116 or 186. It has to be above 80, that's for sure, it has to be above 90. But it doesn't matter the quantity of the IQ, whatever your intelligence level may be, whatever the endowment of your intelligence may be, you can cultivate and express it at a genius level.
But due to the presence of the Archontic factor in human reality, the factor of error and of imitation and fraud and substitution and simulation, those are the various modalities of the Archontic factor, simulation, substitution, fraud, due to those factors which actually play into the fabric of human reality, you can observe continual attempts to hijack what is genuine and replace it with something phony.
For instance, I pointed out that there was, there is currently a schlock cable melodrama hyping the genius of Einstein, who was no genius, and who was a plagiarist and a fraud, and a dedicated Zionist.
And I pointed out that what you see in that popular event, that spectacle in the popular media, what you see is an attempt to preempt the super-learning event. So the Archontic proxies out there in the field of entertainment give you a fake substitute for the real thing.
Likewise, there's another example happening currently as I speak. In fact, I think it was Saturday, two days ago, that a film premiered in the United States, which is “Wonder Woman”. And the actress who portrays Wonder Woman is a Jewish or Israeli beauty queen.
The purpose of this film “Wonder Woman”, which is taken from American folklore, that is to say comic book heroes of the thirties, I believe, who inspired many young goyim and Gentiles, this glamorous super heroine of the white race has been taken and hijacked into a film version which is portrayed, as I say, by a Jewish beauty queen. What is the underlying message here? The underlying message is that, Oh, a Wonder Woman, you think Wonder Woman is the Aeon Sophia, don't you? You foolish children.
No, Wonder Woman is this celluloid, CGI enhanced, wall-eyed, left-handed Jewish lesbian who probably is a tranny. That's really who Wonder Woman is. The Aeon Sophia is not your Wonder Woman. Don't pay any attention to her.
So the poster of the film, however, tells a different story. Because you see in the poster of the film, well, take a look. Once again, I would say, here is vivid evidence of the Mother Hack. In some mysterious manner, and believe me, you cannot explain it and you cannot reduce it to a rational explanation, but it happens nonetheless. Such is the modus operandi of the anima mundi. It's irrational, but evidential.
How can it be that the Wonder Woman poster, and this is a detail of the official poster, contains the letter W as a doubled V which repeats the image of the Volkswagen logo, which is central to one of the super-clusters of the Mandela Effect?
I thereby designate the Wonder Woman poster as a Mandela effect of a new kind related to the subject matter of this investigation. Also, the central motif of the poster representing Wonder Woman is two Ws superposed upon each other, which is four Vs, I meant to say two double Vs superposed, of course, presenting a total of, hey, four V's in an iconic complex that resembles a thunderbird.
There even appears to be a small detail in the center of that icon suggesting the head of a thunderbird facing to the left. What is the Thunderbird? Well, the Thunderbird is a sports car produced by the Ford Motor Company. The Thunderbird is a variation of the Eagle of the Third Reich, often pictured as you see here in association with a swastika, that being the Indo-European symbol of sovereignty and the male power.
Finally, last but not least, the Thunderbird formation is the blueprint of the Calico War Party. So with those associations building into that thunderhead that I've described, I guess I should bring this talk to a close. It didn't exactly go as I had planned, and I have not really even come to the material I meant to designate by the title I gave it. So when I post this talk on my channel, I'm going to change the title. I'm going to move this title, “Warrior in the Womb of the Virgin”, down one notch to be the title of talk number 48. I don't know what name I'll give this talk when I post it, but it won't be the name that I announce, obviously, at the beginning of the audio.
So there you go. I'm recording these talks on a little microphone that's the size of a tennis ball. It has the word Samson written on it. Well, there's the mythophrenic fugue that goes right to another Goliath giant hero, right, in the biblical narrative of all places, and I'm uploading these talks myself.
But I need to tell you that when I complete this series of talks, I won’t be uploading myself anymore on the internet. So I may talk, I might be recorded. I don't know. I have no idea what's coming. But whatever the case, I myself will not be proceeding as I am now. That is to say, from soup to nuts, I am putting this channel together and putting it out there.
That's just the way it is right now. I admit I would be happier to be talking to people in the flesh and face to face so that I could see your reactions and I could gauge what I say based on how you respond and how you interact with me. But that is not the case and it shall never be in this reality.
So for now, let's do the best with what we have. And until the next time, as ever, may your attention be rewarded by the truth.